My final thoughts regarding Lady Chatterly's Lover

[muck_a_luck]

I have finished Lady Chatterly's Lover. A few passages of note, though not much to add, myself. But ha! ha! This is my journal, not a sophomore lit paper! Go me!

Connie and Mellors' last night before she goes to Italy

So, just to re-emphasize Olivier Mellors, Sex Machine, but also an interesting look at where Connie has ended up, after her earlier thoughts about a man's need for sex making you hate him:

It was a night of sensual passion, in which she was a little startled and almost unwilling: yet pierced again with piercing thrills of sensuality, different, sharper, more terrible than the thrills of tenderness, but, at the moment, more desirable. Though a little frightened, she let him have his way, and the reckless, shameless sensuality shook her to her foundations, stripped her to the very last, and made a different woman of her. It was not really love. It was not voluptuousness. It was sensuality sharp and searing as fire, burning the soul to tinder.

Burning out the shames, the deepest, oldest shames, in the most secret places. It cost her an effort to let him have his way and his will of her. She had to be a passive, consenting thing, like a slave, a physical slave. Yet the passion licked round her, consuming, and when the sensual flame of it pressed through her bowels and breast, she really thought she was dying: yet a poignant, marvellous death...

In the short summer night she learnt so much. She would have thought a woman would have died of shame. Instead of which, the shame died. Shame, which is fear: the deep Organic shame, the old, old physical fear which crouches in the bodily roots of us, and can only be chased away by the sensual fire, at last it was roused up and routed by the phallic hunt of the man, and she came to the very heart of the jungle of herself. She felt, now, she had come to the real bed-rock of her nature, and was essentially shameless. She was her sensual self, naked and unashamed. She felt a triumph, almost a vainglory. So! That was how it was! That was life! That was how oneself really was! There was nothing left to disguise or be ashamed of. She shared her ultimate nakedness with a man, another being.

And what a reckless devil the man was! really like a devil! One had to be strong to bear him. But it took some getting at, the core of the physical jungle, the last and deepest recess of organic shame. The phallos alone could explore it. And how he had pressed in on her!

And how, in fear, she had hated it. But how she had really wanted it! She knew now. At the bottom of her soul, fundamentally, she had needed this phallic hunting out, she had secretly wanted it, and she had believed that she would never get it. Now suddenly there it was, and a man was sharing her last and final nakedness, she was shameless.

What liars poets and everybody were! They made one think one wanted sentiment. When what one supremely wanted was this piercing, consuming, rather awful sensuality. To find a man who dared do it, without shame or sin or final misgiving! If he had been ashamed afterwards, and made one feel ashamed, how awful! What a pity most men are so doggy, a bit shameful, like Clifford! Like Michaelis even! Both sensually a bit doggy and humiliating. The supreme pleasure of the mind! And what is that to a woman? What is it, really, to the man either! He becomes merely messy and doggy, even in his mind. It needs sheer sensuality even to purify and quicken the mind. Sheer fiery sensuality, not messiness.

Ah, God, how rare a thing a man is! They are all dogs that trot and sniff and copulate. To have found a man who was not afraid and not ashamed! She looked at him now, sleeping so like a wild animal asleep, gone, gone in the remoteness of it. She nestled down, not to be away from him.

Slash at the end: Mellors' tenderness towards his men
Here's a wonderful bit of slash for us. After Mellors leaves the service of Sir Clifford, he and Connie meet in London. Mellors wonders what he has to offer anyone:

"Shall I tell you?" she said, looking into his face. `Shall I tell you what you have that other men don't have, and that will make the future? Shall I tell you?'

`Tell me then,' he replied.

`It's the courage of your own tenderness, that's what it is: like when you put your hand on my tail and say I've got a pretty tail.'

The grin came flickering on his face.

`That!' he said.

Then he sat thinking.

"Ay!" he said. `You're right. It's that really. It's that all the way through. I knew it with the men. I had to be in touch with them, physically, and not go back on it. I had to be bodily aware of them and a bit tender to them, even if I put em through hell. It's a question of awareness, as Buddha said. But even he fought shy of the bodily awareness, and that natural physical tenderness, which is the best, even between men; in a proper manly way. Makes 'em really manly, not so monkeyish. Ay! it's tenderness, really; it's cunt-awareness. Sex is really only touch, the closest of all touch. And it's touch we're afraid of. We're only half-conscious, and half alive. We've got to come alive and aware. Especially the English have got to get into touch with one another, a bit delicate and a bit tender. It's our crying need.'

I think Mr. Lawrence is trying to make a distinction between sexual touch and a non-erotic sensuality of shared touch (heh - "a proper manly way" - *sniggers*). I'm not disputing the existance of this sensuality of non-erotic shared touch. I'd argue that you see it every day over at footballslash. But most of the sensuality in this book is *fundamentally* sexual. So here, at the end, the author is saying, "oh, yeah, and by the way..." Not buying it! This comment about tenderness with his men is slash all the way! *snortle*

Also, it makes me think of Sharpe. Heh. There's CK's real sophomore lit paper. "Oliver Mellors and Richard Sharpe: The Difference 100 (or so) Years Can Make."

Sensuality and Social Activism, by Oliver Mellors
Mellors' comments on the way to a better life for the industrial masses. Here one presumes he is speaking with the voice of the author:

If you could only tell them that living and spending isn't the same thing! But it's no good. If only they were educated to live instead of earn and spend, they could manage very happily on twenty-five shillings. If the men wore scarlet trousers as I said, they wouldn't think so much of money: if they could dance and hop and skip, and sing and swagger and be handsome, they could do with very little cash. And amuse the women themselves, and be amused by the women. They ought to learn to be naked and handsome, and to sing in a mass and dance the old group dances, and carve the stools they sit on, and embroider their own emblems. Then they wouldn't need money. And that's the only way to solve the industrial problem: train the people to be able to live and live in handsomeness, without needing to spend. But you can't do it. They're all one-track minds nowadays. Whereas the mass of people oughtn't even to try to think, because they can't. They should be alive and frisky, and acknowledge the great god Pan. He's the only god for the masses, forever. The few can go in for higher cults if they like. But let the mass be forever pagan.

Chastity as the long pause: The peace that comes of fucking
Interestingly, where you least expect it, you find a long comment on chastity.

But never mind. All the bad times that ever have been, haven't been able to blow the crocus out: not even the love of women. So they won't be able to blow out my wanting you, nor the little glow there is between you and me. We'll be together next year. And though I'm frightened, I believe in your being with me. A man has to fend and fettle for the best, and then trust in something beyond himself. You can't insure against the future, except by really believing in the best bit of you, and in the power beyond it. So I believe in the little flame between us. For me now, it's the only thing in the world. I've got no friends, not inward friends. Only you. And now the little flame is all I care about in my life. There's the baby, but that is a side issue. It's my Pentecost, the forked flame between me and you. The old Pentecost isn't quite right. Me and God is a bit uppish, somehow. But the little forked flame between me and you: there you are! That's what I abide by, and will abide by, Cliffords and Berthas, colliery companies and governments and the money-mass of people all notwithstanding.

...Patience, always patience. This is my fortieth winter. And I can't help all the winters that have been. But this winter I'll stick to my little Pentecost flame, and have some peace. And I won't let the breath of people blow it out. I believe in a higher mystery, that doesn't let even the crocus be blown out. And if you're in Scotland and I'm in the Midlands, and I can't put my arms round you, and wrap my legs round you, yet I've got something of you. My soul softly Naps in the little Pentecost flame with you, like the peace of fucking. We fucked a flame into being. Even the flowers are fucked into being between the sun and the earth. But it's a delicate thing, and takes patience and the long pause.

So I love chastity now, because it is the peace that comes of fucking. I love being chaste now. I love it as snowdrops love the snow. I love this chastity, which is the pause of peace of our fucking, between us now like a snowdrop of forked white fire. And when the real spring comes, when the drawing together comes, then we can fuck the little flame brilliant and yellow, brilliant. But not now, not yet! Now is the time to be chaste, it is so good to be chaste, like a river of cool water in my soul. I love the chastity now that it flows between us. It is like fresh water and rain. How can men want wearisomely to philander. What a misery to be like Don Juan, and impotent ever to fuck oneself into peace, and the little flame alight, impotent and unable to be chaste in the cool between-whiles, as by a river.

Well, so many words, because I can't touch you. If I could sleep with my arms round you, the ink could stay in the bottle. We could be chaste together just as we can fuck together. But we have to be separate for a while, and I suppose it is really the wiser way. If only one were sure.

There are some other excellent things going on in this book. Particularly of note are the two letters Connie gets while in Italy - the first from Clifford, describing Mellors' problems with his wife, and then Mellors' letter, describing the situation and his interview with Clifford. But I've plifered enough for one evening. You will find the letters in Chapter 17, conveniently located here. Scroll to the end of the chapter, they make up about the last fifth of the text.

And as this is not a lit paper, am just going to stop now. :)